Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas woman after bath oil painting


woman after bath
mk206 1876-1877 Oil on canvas 16x21.5cm
Painting ID::  49924 		Edgar Degas
woman after bath
mk206 1876-1877 Oil on canvas 16x21.5cm
   
   
     
Edgar Degas Bather oil painting


Bather
mk206 1876-1877 Oil on canvas 45.7x60.3cm
Painting ID::  49925 		Edgar Degas
Bather
mk206 1876-1877 Oil on canvas 45.7x60.3cm
   
   
     
Edgar Degas Out off bath oil painting


Out off bath
mk206 1876-1877 Oil on canvas 16x21.5cm
Painting ID::  49926 		Edgar Degas
Out off bath
mk206 1876-1877 Oil on canvas 16x21.5cm
   
   
     
Edgar Degas Women in open air cafe oil painting


Women in open air cafe
mk206 1877 Oil on canvas 41x60cm
Painting ID::  49927 		Edgar Degas
Women in open air cafe
mk206 1877 Oil on canvas 41x60cm
   
   
     
Edgar Degas Bete in the cafe oil painting


Bete in the cafe
mk206 1877-1878 Oil on canvas 16.3x12.1cm
Painting ID::  49928 		Edgar Degas
Bete in the cafe
mk206 1877-1878 Oil on canvas 16.3x12.1cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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